I also agree, if you want feed back be prepared for harsh comments as well as the pat on the back.
I much prefer harsh comments as this is what makes my tracks better and correct otherwise ignored flaws in my recordings. I aint perfect in mastering and mixdown so i know i will either be too lazy in correcting flaws or just didnt hear it at the time.
Im learning all the time as technology advances together with newer techniques...and not afraid to ask a fellow composer how they created a specific technique.
all that said, i also know when not to post up a track as i know it aint finished...so if i know that then i dont need feedback, some still dont understand that all you have to do is compare your track alongside a decent commercial track...if its nowhere near then it aint finished, if you dont know how to get it the same then ask a specific question on how to acheive it, link to a snippet of the track production you want to create.
My very first efforts in 1988 got played on local radio and within a Pub/club in brum and though not quite top commercial quality were good enough to shine through the other commercial tracks played around it (it was played off cassette and the gear used to create it wasnt anywhere near what we have now)
So, if you can mix in and out of your track surrounding it with commercial tracks and it sounds ok then its ready for the public to hear and comment, even get signed there and then
