Donk...

I hate donk but come across this and I cant stop laughing lol

http://www.youtube.com/watch?v=ckMvj1piK58

Its shit but so funny at the same time

Make sure you watch it all... put a donk on it

haha thats quality maddox. when me and jilly were up seeing her sister her nephews had that on the music channel lol

We could do a piss take bootleg call it "Put a Big Ange on it", what do you reckon paul lol

haha they probably kicked him out because his ideas were too cheesy

i just remembered, a lad who i know shown me this tune today and he thought it was ace

hahhahahahahahhahah the cunt

http://www.bounce-heaven.com/flyers/2008.07.19/back.jpg

Intrestin dj line up

looks awesome.....cant wait.

one night in CHAV LAND

looks awesome.....cant wait.

one night in CHAV LAND

how wa it?

nice and deep just how i like it

owww ya fat bugger

makes me laugh when im having a bad day at work

You knows it.  I bet the likes of Dom Sweeten and Paul Maddox are tracking one down on the web now for future productions.  Man that's a sick hoover, but it could be better if we............

Put a donk on it

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I love how people slate this, despite the fact it sounds like the old Ingo tracks (with some mcing) a few of you used to play

thats a things. people on here are so ignorant when it comes to their roots.


Im truly ashamed that im human just because of shit like this. this put me off kick bass kick bass even more now. what a pile of crap

Fuck off are we.  Fact is what was pretty good music has morphed somewhat, been bastardised, had loads of cheese added in and generally turned into something ugly.  I have been reviewing/playing my older material lately and this includes plenty of bouncy stuff in that.  Difference is this was from talented producers and is quality sounding material all round.  As for the Ingo comment, I bought some of his pretty early stuff (the Ingostar bootlegs) but quickly went off him a few releases after that

Zanos, all you do is look for an excuse to jump on us with specific harder tastes so your opinion on these matters is pretty much worthless. 

In reply to

In reply to

In reply to

I love how people slate this, despite the fact it sounds like the old Ingo tracks (with some mcing) a few of you used to play

thats a things. people on here are so ignorant when it comes to their roots.


Im truly ashamed that im human just because of shit like this. this put me off kick bass kick bass even more now. what a pile of crap

 

Fuck off are we.  Fact is what was pretty good music has morphed somewhat, been bastardised, had loads of cheese added in and generally turned into something ugly.  I have been reviewing/playing my older material lately and this includes plenty of bouncy stuff in that.  Difference is this was from talented producers and is quality sounding material all round.  As for the Ingo comment, I bought some of his pretty early stuff (the Ingostar bootlegs) but quickly went off him a few releases after that

Aside from the Zanos comment, I don't see how you can say that tbh.... If this was released when bounce was popular in HH, I best most DJs would have been all over it. 

Can you explain the 'had loads of cheese added in and was generally turned into something ugly' bit please? Sounds exactly the same to me...

I work in a record shop, so I'm acustomed to hearing a lot of shit. But this still takes the biscuit for the worst thing I've heard in years.

An absolute disgrace

"Go-Ed LADDDDD FUKKKKINNNNN DONKSSSSS FELLAAAAAA"

Translation - "These off beat bassline 'donk' tracks are really doing it for me at the moment my friend".

In reply to

In reply to

In reply to

In reply to

I love how people slate this, despite the fact it sounds like the old Ingo tracks (with some mcing) a few of you used to play

thats a things. people on here are so ignorant when it comes to their roots.


Im truly ashamed that im human just because of shit like this. this put me off kick bass kick bass even more now. what a pile of crap

 

Fuck off are we.  Fact is what was pretty good music has morphed somewhat, been bastardised, had loads of cheese added in and generally turned into something ugly.  I have been reviewing/playing my older material lately and this includes plenty of bouncy stuff in that.  Difference is this was from talented producers and is quality sounding material all round.  As for the Ingo comment, I bought some of his pretty early stuff (the Ingostar bootlegs) but quickly went off him a few releases after that

Zanos, all you do is look for an excuse to jump on us with specific harder tastes so your opinion on these matters is pretty much worthless. 

yeah fuck yeah it was one of the funniest things i had a chance to read on here. talented producers my ass!


any outsider who listens to this "Donk" and then listens to old bouncy hh will tell you that its the same shite, little differences here and there. same bullshit kick bass kick bass

one more thing, if my opinions are worthless to you dont quote me or reply to my messages. have a good night.

It depends what old bouncy hh they are listening to.  On a previous conversation you seemed to think that hard house originated from the kind of stuff Ingo was making.  For a start bouncy stuff started before him and hard house before that.  Ingo championed the more oinky sound (if you know what I mean by that) and thats why I quickly went off him after picking up one of his early efforts.  Even then I didn't really like that kind of sound as it had lost the groove that many of the bouncy tunes I did had.  There are a number of DJ's who used to play that type of stuff and Lisa Pin Up is one who springs to mind.  I think that stuff is where the "donk" kind of material originated and it wasn't something I liked when it appeared and there was plenty of other stuff that wasn't that about at the time.

The type of material I take as being the original bouncy stuff tends to be on productions from the likes of Paul Janes, BK and the Knuckleheads.  Even "The Dawn" is a bit bouncy and if you can't tell the difference in quality for tracks such as "House Rocca", "The Dawn" vs the Blackout Crews material then I really shouldn't be wasting my time posting this in response to you.

In reply to

In reply to

In reply to

In reply to

I love how people slate this, despite the fact it sounds like the old Ingo tracks (with some mcing) a few of you used to play

thats a things. people on here are so ignorant when it comes to their roots.


Im truly ashamed that im human just because of shit like this. this put me off kick bass kick bass even more now. what a pile of crap

 

Fuck off are we.  Fact is what was pretty good music has morphed somewhat, been bastardised, had loads of cheese added in and generally turned into something ugly.  I have been reviewing/playing my older material lately and this includes plenty of bouncy stuff in that.  Difference is this was from talented producers and is quality sounding material all round.  As for the Ingo comment, I bought some of his pretty early stuff (the Ingostar bootlegs) but quickly went off him a few releases after that

Aside from the Zanos comment, I don't see how you can say that tbh.... If this was released when bounce was popular in HH, I best most DJs would have been all over it. 

Can you explain the 'had loads of cheese added in and was generally turned into something ugly' bit please? Sounds exactly the same to me...

You are talking about familiarity of sounds surely.  Because the "donk" in the Blackout Crews track has a distinct oink it could in some ways sound a bit like an old Ingo track.  The vocals and how they have put together the track are totally different levels.

I have personally not really got into the "oinky" bounce efforts championed by the likes of Ingo or Lisa Pinup.  To me this is when things started to move away from stuff I liked and towards what is referred to as donk these days.  The bouncy material I refer to is some of the late 90's productions from the likes of Knuckleheadz, Paul Janes and BK.  These to me are distinctly different.

In reply to

In reply to

In reply to

In reply to

In reply to

In reply to

I love how people slate this, despite the fact it sounds like the old Ingo tracks (with some mcing) a few of you used to play

thats a things. people on here are so ignorant when it comes to their roots.


Im truly ashamed that im human just because of shit like this. this put me off kick bass kick bass even more now. what a pile of crap

 

Fuck off are we.  Fact is what was pretty good music has morphed somewhat, been bastardised, had loads of cheese added in and generally turned into something ugly.  I have been reviewing/playing my older material lately and this includes plenty of bouncy stuff in that.  Difference is this was from talented producers and is quality sounding material all round.  As for the Ingo comment, I bought some of his pretty early stuff (the Ingostar bootlegs) but quickly went off him a few releases after that

Zanos, all you do is look for an excuse to jump on us with specific harder tastes so your opinion on these matters is pretty much worthless. 

yeah fuck yeah it was one of the funniest things i had a chance to read on here. talented producers my ass!


any outsider who listens to this "Donk" and then listens to old bouncy hh will tell you that its the same shite, little differences here and there. same bullshit kick bass kick bass

one more thing, if my opinions are worthless to you dont quote me or reply to my messages. have a good night.

It depends what old bouncy hh they are listening to.  On a previous conversation you seemed to think that hard house originated from the kind of stuff Ingo was making.  For a start bouncy stuff started before him and hard house before that.  Ingo championed the more oinky sound (if you know what I mean by that) and thats why I quickly went off him after picking up one of his early efforts.  Even then I didn't really like that kind of sound as it had lost the groove that many of the bouncy tunes I did had.  There are a number of DJ's who used to play that type of stuff and Lisa Pin Up is one who springs to mind.  I think that stuff is where the "donk" kind of material originated and it wasn't something I liked when it appeared and there was plenty of other stuff that wasn't that about at the time.

The type of material I take as being the original bouncy stuff tends to be on productions from the likes of Paul Janes, BK and the Knuckleheads.  Even "The Dawn" is a bit bouncy and if you can't tell the difference in quality for tracks such as "House Rocca", "The Dawn" vs the Blackout Crews material then I really shouldn't be wasting my time posting this in response to you.

lol ok


Thats the thing dude. It is bounce and you lot did listen to bounce, its just a case of some producers making more bouncy stuff compared to the others. so on the end of the day you did listen to donk! my question is why ignore it?

So what you are pretty much saying in a nut shell is that I should like the Blackout crew because I liked tracks such as "House Rocca" and "The Dawn".  Hmmmm, ok then