Your thoughts??

 
3 years ago
JustGUSTAVO
DJGUSTAVO Pic1133 Posts
Brazil2 steps to civil war
Music Style MoshNRG

partyevilIMO DJs should spin with nrgy and passion! Same with producing. Producers should seek new elements, listen to their fans and only make music when they feel like making it. So smth good and creative will come out. Dont sit on your studio on a rush because you "need another release".. make smth you want to listen to in your car and you think clubbers will freak out!!. Regarding labels, only release the good stuff... although everyone has got to make a living,  fuck $ the whole popularity stuff, Tripoli and Vicious are doing well. Check Dave Parkinson ep, fricken quality! Not the "newest" "most different" Hard House out there but a lot of nrg and originality! Keep it real! Only Hard is real! evilevilevilparty  And party up Hard!

3 years ago
Bongo
Bongo Pic992 Posts
AustraliaHobart
Music Style Anything that's good
In reply to
Djs like Bourne/Glazby/Bunter make tracks in a sound that they could play in their set, I DOUBT THEYRE TRYING TO PLEASE PEOPLE JUST MAKE WHAT THEY WANNA PLAY

The exact reason why a fair few of us are fed up with "hard house".

It looks like we've lost any consideration to think of a dancefloor then.

Dj first/producer first is irrelevant, Sentience was a producer first but after a couple of years djing experience his priorities changed and he started to consider the dancefloor when making tunes. He said this for a fact in an interview.

Consider this, is a dj like Bourne or Glazby trying to please people when they play one of their tracks in a set?

And if they are, why wouldn't they consider the idea of pleasing people other than themselves when they make a tune?

What about a dj like Karim?
Bet ya bottom dollar he's trying to please people when he plays a set AND when he makes a tune.

Is it "selling out" because you keep in mind you want people to enjoy your tune when making a tune?

Is it "wrong" to selfishly only consider your own self-satisfaction when making a tune?

But then, is making other people happy going to give you greater satisfaction and enjoyment from your life?

What's the "bigger picture"?

It's a fucken quagmire.

God damn, why do I have to get philosophical?


I'd rather try and meet halfway to be honest, self-satisfied and happy people are enjoying your music.

Post edited by owner 8/30/2005 2:40:06 AM
3 years ago
MattR
mattr Pic511 Posts
AustraliaAdelaide
In reply to

no need to fight mate.... i'm happy doing what i'm doing, i'm sure Mark's happy doing what he's doing...


Otherwise, whats the point. happy
3 years ago
James Searles
jsearles2003 Pic1913 Posts
EnglandNr Telford / Midlands
Music Style East russian speed bhangra
In reply to

Consider this, is a dj like Bourne or Glazby trying to please people when they play one of their tracks in a set?

And if they are, why wouldn't they consider the idea of pleasing people other than themselves when they make a tune?

^^^^
well obviously there gonna make somethin thats fits into there sets.... what would be the point in them making something they wouldnt play? And what they play obviously does please the crowd because time after time when these dj's headline nights..... the clubs are always packed. they have to be doing something right.

 

I think everyone should stop whingeing about how shit the scene is, people just need to stop picking faults with everything and get on with enjoying themselves. after all, thats what its all about isnt it? The only thing wrong with the scene in my oppinion is every fuckers negative attitude towards everything. If u dont like something then thats fair enough, u cant like everything. how boring would the scene be if every track was good? no track would ever stand out. but that doesnt mean u have to continuously moan about things. just dont listen to it. simple as that.

3 years ago
sentinelz
sentinelz Pic2941 Posts
Falkland Islandsstanley
Music Style urban chique
In reply to
In reply to

Consider this, is a dj like Bourne or Glazby trying to please people when they play one of their tracks in a set?

And if they are, why wouldn't they consider the idea of pleasing people other than themselves when they make a tune?

^^^^
well obviously there gonna make somethin thats fits into there sets.... what would be the point in them making something they wouldnt play? And what they play obviously does please the crowd because time after time when these dj's headline nights..... the clubs are always packed. they have to be doing something right.

 

I think everyone should stop whingeing about how shit the scene is, people just need to stop picking faults with everything and get on with enjoying themselves. after all, thats what its all about isnt it? The only thing wrong with the scene in my oppinion is every fuckers negative attitude towards everything. If u dont like something then thats fair enough, u cant like everything. how boring would the scene be if every track was good? no track would ever stand out. but that doesnt mean u have to continuously moan about things. just dont listen to it. simple as that.

well siad james,spot onthumbsup
3 years ago
Marc Johnson
marcjohnson Pic2055 Posts
United KingdomLondon
Music Style energetic music
In reply to
In reply to
Djs like Bourne/Glazby/Bunter make tracks in a sound that they could play in their set, I DOUBT THEYRE TRYING TO PLEASE PEOPLE JUST MAKE WHAT THEY WANNA PLAY

The exact reason why a fair few of us are fed up with "hard house".

It looks like we've lost any consideration to think of a dancefloor then.

Dj first/producer first is irrelevant, Sentience was a producer first but after a couple of years djing experience his priorities changed and he started to consider the dancefloor when making tunes. He said this for a fact in an interview.

Consider this, is a dj like Bourne or Glazby trying to please people when they play one of their tracks in a set?

And if they are, why wouldn't they consider the idea of pleasing people other than themselves when they make a tune?

What about a dj like Karim?
Bet ya bottom dollar he's trying to please people when he plays a set AND when he makes a tune.

Is it "selling out" because you keep in mind you want people to enjoy your tune when making a tune?

Is it "wrong" to selfishly only consider your own self-satisfaction when making a tune?

But then, is making other people happy going to give you greater satisfaction and enjoyment from your life?

What's the "bigger picture"?

It's a fucken quagmire.

God damn, why do I have to get philosophical?


I'd rather try and meet halfway to be honest, self-satisfied and happy people are enjoying your music.

off course bourne/glazby would want to please people when they play tunes in their sets or they wouldnt be popular to have so many bookings and to suggest they dont try to please the clubbers infront of them is about as dumb ass a statement as you could possibly make, the point is when they make a track they make it in a style they like first, ie they wont throw a trance riff or hardstyle bass line in to please whats in vogue if they dont like that particular sound

cant please everyone i guessrolleyes


 

3 years ago
Karl Davis Pure Nrg /HS
karldavis Pic2271 Posts
Ireland
Music Style hardhouse
we need to get people back in to the shops and clubs, more people to buy and listen to the musicthumbsup
3 years ago
Edwin Van Cleef
Spiffeh Pic1000 Posts
EnglandOssett
Music Style I like having stupid long names!!!!
I think the 4 things that its lacking most which most popular genres have are:
ringtones
radio edits
cds
remixes from artists big in other countries to stop limiting yourself to the uk market, for example what nukleuz used to do with alphazone etc
3 years ago
DORYL ROY
dorylroy Pic73 Posts
United Kingdom
Music Style All THINGS TECHNO
This is a bit of a long time to reply i know, but my view is everything should go back underground then all the wananbes and all the bandwagon people will fuck back off to where they came from in the first place. if everything went underground the music would be much better b cuz no longer will most of the scene be influenced by money and the music being made will be made b cuz of the pure love for the sound not b cuz of how many tracks can be released ( lets go back to a happy place where nobody has heard of the crazy frog and to a time when dance wasnt advertised on telly for a sale price at fucking asda. Sometimes you need to go bak to go forward and in my eyes dance music needs to do this, then in years to come the crest of the wave will come back, (its the double helix syndrome its got to come back up sometime.) What everyone should realise is that dance going commercial was a bad thing, fair enough people got paid but whats happend to the music and nobody can argue that there has been an influx of absolute shite on both the net and on the market b cuz of this. And besides if Some forms of dance music remained in the money controled commercial world im not going to lose any sleep about it bcuz the underground is stil here like its always been and its not controlled by money its controlled by us and ruled by one thing and thats music.
3 years ago
Dave Owens
Dave Owens Pic1401 Posts
United KingdomThe North West
Music Style Hard House / NRG
Not true by any means. The main reason that the record labels are having so much trouble is that there is no money in it. If the scene went "back underground" there would be no new interest in it and therefore no more income. The entire scene would pretty much fold then.
3 years ago
DORYL ROY
dorylroy Pic73 Posts
United Kingdom
Music Style All THINGS TECHNO
what scene is that then? . U just proved my point by saying the scene would fold if there wasnt any money to keep it going. Ask urself this question why has the underground survived when theres no money to be made? il answer that for you and thats becuz the love for the music by the people who put th underground free parties on is so strong and the love for the whole underground scene. week after week people put on parties with no financial gain so if the scene ur on about would so easily fall bcuz of lack of money then the scene ur on about cant be that strong anyway.
3 years ago
Frank Farrell
fRankfarrell Pic598 Posts
England
Because now days DJ is seen as a full time occupation.  If it were to be all underground and playing at free parties, there'd be little money.  You wouldn't ditch your wage and start doing it for free or a considerable lot less would you?!
3 years ago
Toomz
toomz Pic3867 Posts
WalesHerts
Music Style Hard House & NRG
In reply to
 il answer that for you and thats becuz the love for the music by the people who put th underground free parties on is so strong and the love for the whole underground scene.
There's one thing putting on all the parties, but who's gonna be making the records & pressing them all up for you lot to be playing them at the free parties... there's more that goes on than just the event.

3 years ago
Sam Hudson / masmada
samhudson Pic1574 Posts
EnglandSwindon
Music Style thunk
In reply to
Not true by any means. The main reason that the record labels are having so much trouble is that there is no money in it. If the scene went "back underground" there would be no new interest in it and therefore no more income. The entire scene would pretty much fold then.


my god

i actually agree with you dave
3 years ago
Alan Testube
alantestube Pic198 Posts
United KingdomSouthampton

this topic comes up all the time haha!

 

write tunes, get em signed!

 

if they dont get signed.. write another one!

 

stop moaning if u cant get a deal and just keep plugging!

 

smilesame shit different day!

3 years ago
Dave Owens
Dave owens Pic1401 Posts
United KingdomThe North West
Music Style Hard House / NRG
In reply to
In reply to
Not true by any means. The main reason that the record labels are having so much trouble is that there is no money in it. If the scene went "back underground" there would be no new interest in it and therefore no more income. The entire scene would pretty much fold then.

 

my god

i actually agree with you dave


That's because you understand that alot of this is a business first and foremost.

These free parties are all well and good, but I dont see many of them round my end, and Im pretty sure as Toomz said, someone needs to be pressing these records to be played at these parties.

Its all well and good local people throwing parties for them and a handful of their mates, but when you are trying to pull in the crowds, that requires capital. Justin Bourne, Glazby and the like aren't going to come from where ever just to play this party because it's underground and a rockin night. They have bills to pay too.

There needs to be a fine balance between doing what you love, and being able to support yourself at the same time. That's true for both club night promoters and record labels.

 

3 years ago
Sam Hudson / masmada
samhudson Pic1574 Posts
EnglandSwindon
Music Style thunk
In reply to
In reply to
In reply to
Not true by any means. The main reason that the record labels are having so much trouble is that there is no money in it. If the scene went "back underground" there would be no new interest in it and therefore no more income. The entire scene would pretty much fold then.


 


my god

i actually agree with you dave


That's because you understand that alot of this is a business first and foremost.


These free parties are all well and good, but I dont see many of them round my end, and Im pretty sure as Toomz said, someone needs to be pressing these records to be played at these parties.


Its all well and good local people throwing parties for them and a handful of their mates, but when you are trying to pull in the crowds, that requires capital. Justin Bourne, Glazby and the like aren't going to come from where ever just to play this party because it's underground and a rockin night. They have bills to pay too.


There needs to be a fine balance between doing what you love, and being able to support yourself at the same time. That's true for both club night promoters and record labels.


 



christ - twice in one night

i need to lie down
3 years ago
DORYL ROY
dorylroy Pic73 Posts
United Kingdom
Music Style All THINGS TECHNO
as most who hav posted on this topic hav said ,the scene is and has been in a decline and the only point im trying to make is that it has been going like this for the fact that it is seen as a business and how to make money and thats why theres so much crap and the only way in my eyes to get rid of all the shite is to go back underground. if anyone has any better ideas on how to make the so called dance scene, which mite i ad started off with ideas of freedom of expression not making money, to improve then plz tel me.
3 years ago
DORYL ROY
dorylroy Pic73 Posts
United Kingdom
Music Style All THINGS TECHNO
and in reply to sam. hav u actually been to any free parties? i think ul find that there are slightly more people thatn a few so called mates that attend, or maybe those r jus the ones u go to. there hav been plenty this summer the biggest being an event held in wales with around 10 different rigs and 3,000 people. small i think not.
3 years ago
Tyssen
Tyssen Pic3989 Posts
AustraliaBrisbane
Dorylroy does have a point. Psy got commercial in the 90s and then went down the tubes a bit. But it didn't die - it went back underground. There are loads of free or nearly-free (donation), often illegal outdoor psy parties held in Oz every weekend and it's got nothing to do with whatever 'big' name can be brought it. People in that scene aren't really that fussed about the big names cos they know their local DJs can throw down awesome sets anyway. I'm not really that much into the psy scene here but the impression I get of it is that it's far less money focussed than the hard dance scene.
3 years ago
Filo
filo Pic3120 Posts
England

Stop the endless remixes of old tracks! The reason that the scene isn't progressing is because everyone is buried in the past. People talk about the scene progressing but there are no new sounds and half the releases are remixes of old tunes! It's all getting very safe and comfortable. Nobody seems willing to take a risk.

To take an example from another genre, look at John B. At the time, drum and bass was all about trying to be darker than the last release to the point where it was looking at degenerating into some willy waving competition. John B injected some fun back into the scene and made incredible drum and bass that was different to all the other releases around at the time. He highlighted the irony of Twisted Individual's "Bandwagon Blues" tune where Twisted Individual was basically complaining that everyone was trying to sound like him.

I think the scene just needs somebody who isn't afraid to stick two fingers up at convention and actually do something refreshing and different.

3 years ago
Gopal
Gopal Pic1328 Posts
New ZealandAuckland
Music Style Solid Core
In reply to

Stop the endless remixes of old tracks! The reason that the scene isn't progressing is because everyone is buried in the past. People talk about the scene progressing but there are no new sounds and half the releases are remixes of old tunes! It's all getting very safe and comfortable. Nobody seems willing to take a risk.

I think the scene just needs somebody who isn't afraid to stick two fingers up at convention and actually do something refreshing and different.


Watch this space.  New styles and new sounds from New Zealand are just at the infant stage.  There are some top producers about to imerge from the woodwork.  We've always had an incredible standard of local DJs here and now the producing is catching up fastparty
3 years ago
MattR
mattr Pic511 Posts
AustraliaAdelaide
In reply to

I think the scene just needs somebody who isn't afraid to stick two fingers up at convention and actually do something refreshing and different.


As a culture or genre, I think things are looking good. There is a large pool of talent on the up and up and as it filters through to the market it will bring with it exciting new sounds for consumers to consider. Out with the old and in with the new. This is the cyclic nature of the entertainment industry.

Now let’s look at the reality of the situation from a business perspective. Record sales are falling and people are leaving the dance floor. This isn’t a case of trying to break open new markets to increase revenue, it’s a desperate bid to keep hold of what little market share is left. No matter how you want to spin it, something is wrong. You can stick your head in the sand and pretend that it’s normal but clearly it isn’t. It seems that consumers have rejected the direction the scene is heading in.

Now this isn’t really surprising when you consider that most labels do not attempt expand their existing market, only satisfy demand within it. Over time that market attenuates through attrition and unless you drive new growth through expansion you will be left with nothing. In our scene, nobody has been driving new growth. We are not attracting new consumers.

Go to a bank and try to get a business loan with a market outlook like this and they will tell you you’ve got more chance getting start-up capital for time-share vacation apartments in downtown Baghdad.

Cheers,
Matt

3 years ago
Frank Farrell
fRankfarrell Pic598 Posts
England
In reply to
In reply to

I think the scene just needs somebody who isn't afraid to stick two fingers up at convention and actually do something refreshing and different.


As a culture or genre, I think things are looking good. There is a large pool of talent on the up and up and as it filters through to the market it will bring with it exciting new sounds for consumers to consider. Out with the old and in with the new. This is the cyclic nature of the entertainment industry.

Now let’s look at the reality of the situation from a business perspective. Record sales are falling and people are leaving the dance floor. This isn’t a case of trying to break open new markets to increase revenue, it’s a desperate bid to keep hold of what little market share is left. No matter how you want to spin it, something is wrong. You can stick your head in the sand and pretend that it’s normal but clearly it isn’t. It seems that consumers have rejected the direction the scene is heading in.

Now this isn’t really surprising when you consider that most labels do not attempt expand their existing market, only satisfy demand within it. Over time that market attenuates through attrition and unless you drive new growth through expansion you will be left with nothing. In our scene, nobody has been driving new growth. We are not attracting new consumers.

Go to a bank and try to get a business loan with a market outlook like this and they will tell you you’ve got more chance getting start-up capital for time-share vacation apartments in downtown Baghdad.

Cheers,
Matt


 

I think Vicious are leading a prime example of how things should be run, exploring new avenues and attracting lots of new people both to hard house promotions and their forum.  Not suggesting a bandwagon jump, but a lot of thought into how labels could take it one step further.

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